Tantárgy kódja

CB3005

Tantárgy neve

Esztétika, zeneesztétika

Tantárgy angol neve

Aesthetics of Music

Kredit

2

Félévi követelmény

Vizsga

Heti óraszám

2 + 0

Elmélet + Gyakorlat

Ajánlott félév

1

Cél angol

The aim of the course is to make the students familiar with the basic concepts and tendencies of aesthetics and musical aesthetics.

Tartalom angol

The main topics of the course are the interpretability of particular works of art; the most general problems of the philosophical reflection on the arts in the main concepts of aesthetics e. g. masterpiece, creator, reception, experience, etc. The course focuses on the reflective environment of the aesthetical interpretation of works of art. The second part of this offers an overview of discourses in aesthetics of music from the 17. to the 19. centuries. The course contains the following topics: Aesthetics of Baroque Music (Music and Rhetoric, Affect-representation); Aesthetics of Classicist Music (Körner’s Theory of Character Representation and Jupiter Symphony); Early Romantic (Idea of Absolute Music, Aesthetics of Symphony, Tieck, Wackenroder, Herder, Hoffmann); Debates in 19th Century Music Aesthetics (Hanslick: Formalism versus Programme Music, Boundaries of Music and Poetry, Art Without Object)

Számonkérés

évközi ZH és félév végi szóbeli vizsga

Számonkérés angol

end-terms oral examination and mid-term test

Irodalom

Balzac: Az ismeretlen remekmű. Szophoklész: Oidipusz király. W. Tatarkiewicz: Az esztétika alapfogalmai. Kossuth, Bp., 2000. Carl Dahlhaus: Az abszolút zene eszméje. Typotex, Bp., 2004. Enrico Fubini: Geschichte der Musikästhetik. Von der Antike bis zur Gegenwart. Metzler, Stuttgart- Weimar, 1997. Válogatás Wackenroder, E.T.A. Hoffmann, E. Hanslick, R. Wagner szövegeiből.

Irodalom angol

Honoré de Balzac: The Unknown Masterpiece. Szophoklész: King Oedipus. W. Tatarkiewicz: A Hitory of Six Ideas. An essay in Aesthetics. London – Warszawa, 1980. Enrico Fubini: A History of Music Aesthetics from Antiquity to the present day. Macmillan, 1991. Carl Dahlhaus: The Idea of Absolute Music. University of Chicago Press, 1991. Selections from Texts of Wackenroder, E.T.A. Hoffmann, E. Hanslick, R. Wagner

Tantárgyfelelős intézet kódja

TFI

Tantárgyfelelős oktató

Dr. Csobó Péter György